{"id":3139,"date":"2024-05-30T13:55:04","date_gmt":"2024-05-30T12:55:04","guid":{"rendered":"https:\/\/feedbackmag.co.uk\/?p=3139"},"modified":"2024-05-31T17:12:06","modified_gmt":"2024-05-31T16:12:06","slug":"juggling-bands-drumming-in-multiple-groups","status":"publish","type":"post","link":"https:\/\/jusmedia.co.uk\/feedbackmag\/2024\/05\/30\/juggling-bands-drumming-in-multiple-groups\/","title":{"rendered":"Juggling Bands: Drumming in Multiple Groups"},"content":{"rendered":"\n

Drummer Kit Searle is well-known in the Sheffield grassroots music scene, and his skill with the sticks has led to him being a member of not one, not two, but four different bands in the city: Jazz-funk group Paul Party<\/em><\/strong>, punk outfit Polat<\/em><\/strong>, bluey jam band Juggl_r<\/em><\/strong>, and jack-of-all-trades IBS<\/em><\/strong> (I\u2019m Being Serious).\u00a0<\/p>\n\n\n\n

Part of the reason for this is Kit\u2019s love of music, but he also attributes it to a shortage of drummers in the wider music scene.<\/p>\n\n\n\n

He said: \u201cFirstly I love playing the drums, but often my mates are looking to start bands and need someone to fill in – a lot of drummers are versatile and in multiple bands because there seems to be a shortage of good ones.<\/p>\n\n\n\n

\u201cThis is probably my hottest take, but I think a lot of great amateur bands are held back by not as good a drummer as they deserve.<\/p>\n\n\n\n

\u201cEspecially when starting out, you\u2019re probably playing with your mates, and it\u2019s really hard to turn around and tell them that they aren\u2019t good enough.\u201d<\/p>\n\n\n\n

It\u2019s precisely this versatility that Kit thinks is highly valuable, and also enjoyable, for drummers. Take Paul Party<\/em><\/strong> song Brain Waterfall<\/em>, where Kit\u2019s skills are on full display: \u201cThe regular beat is very danceable and groovy, but it\u2019s a really long and meandering song so I get to play a lot of different styles of drumming.\u00a0<\/p>\n\n\n\n

\u201cMost of the song I\u2019m working with Loz (bassist), his bass lines are so creative, in the chorus he does a rundown and I can match him on that and shift into a slower beat that\u2019s very jazzy and calm; then there\u2019s a hyperactive middle eight, a proper funk beat with very ethereal backing.\u201d<\/p>\n\n\n\n

He continued: \u201cThe key lesson for any drummer is that you can play whatever you want as long as it fits the song, as complex or as simple as you like – nobody\u2019s really going to be listening to you.<\/p>\n\n\n\n

\u201cAs long as you\u2019re not overwhelming everyone with cymbals I think you\u2019re fine, just pay attention to what the focus of the song is supposed to be. Higher pitched frequencies like the flute are often soft, but they cut through the mix so in that way they have a big voice.<\/p>\n\n\n\n

\u201cYou have to be quite meticulous as a drummer and have that awareness of where your layering of vocals and instruments fits in, and how you hold it together. Sometimes you might have to restrain yourself to let other people shine.<\/p>\n\n\n\n

\u201cAs a drummer in bands people look to you to find their place in a song, it\u2019s like a psychic connection and it\u2019s something really special. If you\u2019re playing a white knuckle gig without much practice, being the backbone in a live music environment is something really incredible.\u201d<\/p>\n\n\n\n

\"\"
Paul Party playing at Sidney and Matilda<\/figcaption><\/figure>\n\n\n\n

Particularly with drumming, the financial aspect of playing in multiple bands can be a lot to manage. Disregarding the monetary and time cost of booking practice rooms, recording sessions, and transport to gigs for multiple bands, being a drummer itself can be more demanding than other instruments. Most of the time house kits at venues don\u2019t include breakables – snares and cymbals – and drummers can wear through items like this and sticks quickly, with replacements being costly.<\/p>\n\n\n\n

Kit said: \u201cI break drumsticks all the time. I buy Vic Firth sticks in bulk and when I get down to three I\u2019ll order a new batch. <\/p>\n\n\n\n

\u201cI\u2019ve probably broken around eight cymbals in my life – if you get a crack in a cymbal, get an angle grinder and cut it out to stop it spreading as soon as you can. Entry level cymbals aren\u2019t great, they\u2019re cheap but they sound horrible and they\u2019re made of copper so they dent and break really easily.<\/p>\n\n\n\n

\u201cAs drumming\u2019s become a bigger part of my life I\u2019ve been happier to invest in good quality kit and it\u2019s definitely worth it – it sounds better and your breakables lasts a lot longer. <\/p>\n\n\n\n

\u201cThere was a point where I was playing a lot of gigs, and gigs with drummers who didn\u2019t have their own snare, so they borrowed mine. The head got absolutely annihilated in about six months but I did get to use that as an excuse to upgrade to some nicer heads, so you win some, you lose some.\u201d<\/p>\n\n\n\n

Particularly when starting out, Kit thinks that finances can be a daunting prospect: \u201cIt\u2019s about what background you\u2019re from. If you grew up in a detached house with lots of space it\u2019s easy, relatively speaking, to pick up the drums. <\/p>\n\n\n\n

\u201cIf you didn\u2019t, it\u2019s a lot harder, and even an entry level kit is three or four hundred pounds where a guitar is about 90, so I think there\u2019s an accessibility issue.<\/p>\n\n\n\n

\u201cMusic is expensive and you won\u2019t make much money unless you\u2019re famous or a cover band playing at weddings, giving up your creative liberties.<\/p>\n\n\n\n

\u201cPlaying the local circuit the most I\u2019ve ever \u2018made\u2019 is like \u00a3700, which is pretty good, but that\u2019s then split amongst people, minus the cost of transport, drinks, etc. and then re-invested into things like your rehearsal sessions and recording time, so in the end you\u2019re really lucky you\u2019ll still only be making \u00a330-50 a person. <\/p>\n\n\n\n

\u201cMost venues though, especially at the moment, are so tight on profit margins that they can\u2019t really afford to pay you at all, so you have to go through umbrella organisations to get promoted and they\u2019re usually pretty horrible to deal with.\u201d <\/p>\n\n\n\n

\"\"
Kit playing during his three band set at The Washington<\/figcaption><\/figure>\n\n\n\n

There are some highs to splitting your time between multiple bands though, such as having enough acts at hand to fill an entire lineup for a gig by yourself. When supporting acts were hard to find for a gig at Sheffield venue The Washington, Kit pulled in two of his other bands to replace them, and embarked on the ambitious mission of a one-drummer event.<\/p>\n\n\n\n

\u201cI said \u2018it\u2019ll be good fun\u2019and they [bandmates] said \u2018are you fucking mad?\u2019 <\/p>\n\n\n\n

\u201cWe booked the bands and didn\u2019t tell the venue it was all me, just turned up and the sound guy asked where the drummers were – I said \u2018it\u2019s just me\u2019 and he was actually happy with it because drummers are a pain to sound check.\u201d  <\/p>\n\n\n\n

Whilst the possibility of failure in front of a gathering of fans from across his bands was daunting, and changing between differently themed costumes for all three acts was close to too much, things went smoothly in the end. <\/p>\n\n\n\n

Kit recalled: \u201cIt was a crazy night because it was IBS\u2019 debut, Loz from Paul Party had broken his nose the week before and was a bit dazed still so we hadn\u2019t rehearsed properly. <\/p>\n\n\n\n

\u201cBut in the end it was like putting on an old pair of shoes, like riding a bike, and it was amazing playing with all my friends to chill me out and give me that baseline.\u201d<\/p>\n\n\n\n

On the 15th June Kit is running a gig to celebrate his birthday at local Sheffield grassroots venue Make Noise Studios, aiming to replicate his iconic Washington set, this time playing alongside Juggl_r, IBS, and headliners Paul Party.<\/p>\n\n\n\n

He said: \u201cIf you\u2019re in multiple bands with your mates, play with them all in one gig. Do it once – I\u2019m doing it twice because it\u2019s a special occasion – but do it once, and it\u2019ll be an unforgettable experience.\u201d <\/p>\n<\/span>","protected":false},"excerpt":{"rendered":"

When playing in multiple bands, how best can you split your time and money?<\/p>\n","protected":false},"author":43,"featured_media":3148,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[112,110],"tags":[],"class_list":["post-3139","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-business-menu-sub","category-off-stage-menu-sub-2"],"yoast_head":"\nJuggling Bands: Drumming in Multiple Groups - Feedback<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jusmedia.co.uk\/feedbackmag\/2024\/05\/30\/juggling-bands-drumming-in-multiple-groups\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Juggling Bands: Drumming in Multiple Groups - 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