by Nathalia Santana Hernandez | May 31, 2025 | The Editing Room, The Editing Room Top Story
When you hear “CGI” or “VFX,” you might picture blockbuster-style explosions, flying dragons, or futuristic cityscapes. But in the world of television production, visual effects (VFX) aren’t always about spectacle. In fact, some of the most impressive work is...
by Lloyd Paterson | May 30, 2025 | The Editing Room
Is storyboarding saving your organisational skills? Structure is essential and every editor has their own approach. BAFTA nominated editor Nigel Timperley, joins Studio Insider to provide his hot take on the method of storyboarding. When you are starting out,...
by Chloe Scofield | May 29, 2025 | The Editing Room, The Editing Room Top Story
Simon Birch working in one of the studios at Dan Jones Music (Credit: Dan Jones). Composers and music editors have one of the toughest jobs in production, storytelling through noise and sound. How do they compose and how does it fit into a project? Imagine the climax...
by Lloyd Paterson | May 27, 2025 | The Editing Room, The Editing Room Top Story
Observational sports documentaries? Lloyd Paterson has more. In the high octane world of sports, documenting players’ every move can be tricky. Studio Insider sits down with a BAFTA nominated editor to help navigate you through the challenges and complexities of...
by Yaocheng Liu | May 23, 2025 | The Editing Room
Foley props Have you ever thought while watching TV or movies: Sometimes there are so many people and objects in one frame, but you can hear all their sounds. How do the producers make these sounds so real and clear? Follow Studio Insider into the world of Foley,...
by Temi Idowu | May 21, 2025 | The Editing Room, The Editing Room Top Story
Craig Lomas working in the edit suite for a feature on Blue Peter. (Credit- Craig Lomas) Deadlines, edits, and 10-hour days, welcome to the life of someone working in TV editing. Take an insight into what it really takes to make your beloved shows so seamless. The...
