Storyboarding: Saving or Wasting Time?
By Lloyd Paterson

Structuring pieces:

But in spite of the unpredictability, Nigel still finds structure in his own unique ways. 

“Sticky notes can usually be my answer. As the editing process goes, you do a very rough assembly, then you do a rough cut, which the commissioning editor watches and gets an idea of what the documentary will be like. Then it can be any number of cuts until they’re happy and sign it off. 

“You can imagine, that’s a lot of changing, sticky notes give me the flexibility to chop and change things structurally. 

“But most of all I revolve my structure around rhythm. Editing film is all about rhythm, whether it’s speech, action, music. In my opinion, that’s what takes priority over storyboarding. I see it like an orchestra and you’re threading together all these different elements into what you hope is a beautifully cohesive sequence, which may or may not happen.”

Across his 42 year career, Nigel has edited on a variety of genres, ranging from history, science, drama and even the odd pop promo. However, it was his work on factual documentaries which led to his BAFTA nomination. 

“While I’m an old dog, this job makes me feel like I’m on a constant learning curve of being a student. Working on stories like the London Bombings, Ancient Egypt, even the work I’ve done on cardboard boxes fascinated me. 

“ I’m paid to learn about this stuff. It doesn’t feel like a job, does it?”

The industry shift:

However, the landscape of editing seems to be shifting. With large charges occurring in the revenue streams, and streaming platforms like Netflix and YouTube ruling the land, editors are being forced to adapt and suit the corporate demands of the industry. 

“There was a time when the editor was pretty important in the hierarchy. There used to be a producer, executive, director and editor. But now there are moments when I’m at the bottom of the pile, along with the composers, and it’s ironic that it’s the two people who are probably as skilled as anybody.

“There was a time when I was starting out that I’d have got upset about it, but it’s important for people looking to get into the industry to remember it’s a privilege to work in, every film I do I just love!”

Is a Production Degree worth it?

Is a Production Degree worth it?

The TV industry is seemingly more accessible than ever before, with anyone able to pick up a camera and start creating their own content. So, is a formal education in production the right path for you to enter the industry? Max Whittard is an aspiring filmmaker...